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Works

About Me

Categorically speaking, I'm a maker: I make. Sometimes I make paintings. Sometimes I make sculptures. Sometimes drawings. Sometimes, just random bullshit.

There is no overall theme or a grand statement. I just want to see what will happen when I add A to B, or when I place F next to G. I make because I want to make. I make because I want to hold on to the one elusive idea hastily rushing away in a torrential river of thoughts. I make because I selfishly want to learn. More importantly, I make because I want to prove to myself that I can make!

Those who saw my work have told me it feels wistful. I think that is true. I often catch myself pondering on the internal engine that drives each of us: our hope, our greed, our desire. Ceaselessly chasing that we cannot touch. Yearning to make-near the unfoldable distance. Perhaps, maybe perhaps, wistfulness, itself, is my making.

Contact

For all inquiries, contact me at test@email.com.

I'm currently out enjoying life! Please check back later.

Privacy Policies

TLDR:
Privacy is extremely important to me. This website does not track you, does not collect or store your personal information, and does not sell data to anyone. The goal of this website is to share my work with you.


Information I Do Not Collect
I do not request, collect, or store any personal information such as names, addresses, phone numbers, or browsing activity. I also do not use cookies or analytics tools that track user behavior, unless required for basic site functionality and explicitly noted.

Email or Direct Contact
If you contact me directly (for example, by sending me an email), any information you provide is used solely to respond to your inquiry. I may also ask whether you would like to be added to a mailing list. You will only be added if you give clear consent, and you may unsubscribe at any time.

Mailing List Management
If you join the mailing list, I will only use your contact information to send you updates or news related to my work. I will not share your details with third parties. You can opt out at any time by following the instructions in the messages or by contacting me directly.

No Sale of Data
I never sell, rent, or exchange any user data. Any information you provide remains solely between you and me.

Third-Party Services
If I embed or link to third-party content (such as videos, maps, or external websites), those services may have their own privacy practices outside my control. I encourage you to review their policies if you interact with their content.

International Users
My commitment to privacy applies to all users, regardless of location. If you access this website from outside the United States, please note that I handle consent and mailing lists in line with international expectations, including the EU’s General Data Protection Regulation (GDPR). You have the right to withdraw consent at any time, and no personal data will be collected or retained without it.

Policy Updates
This policy may be updated from time to time to reflect changes in legal requirements or website practices. Updates will be posted clearly on this page with the date of revision.


Effective Date: 2026-07-05

© Tri Ngo. 2013-2026

An old monk once told me: coursing through our veins is not blood of our own but a confluence of those who came before us, our parents, their parents, and their parents before them; a map that traces the intricate, rhizomatic connections of time and of kinship.

Our skin, our covering, a blemished parchment, bears the marks of the mishaps of our life. Our cracks, our chips, our scars weave our malleable tapestry. And on these landscapes of imperfections, peaks and valleys emerge between the folds. As our flawed hands reach out to touch, they unveil the expanses of our misconnections. Yet, these gaps of inadequacy are not empty. No, within them flow salt and water, sweat and love, labor that nourishes, embraces, and sustains.

But how do we measure the spaces between the folds of our skins, count the drops of sweat shed, or measure the love bestowed? How do we quantify the unquantifiable? In Vietnamese tradition, a ubiquitous poem that every child knows echoes a potential answer: Công cha như núi Thái Sơn, Nghĩa mẹ như nước trong nguồn chảy ra, or, A father’s toil is tall as a mountain, a mother’s love is an unceasing aquifer.

In Vietnamese tradition, every family meal commences with an act of simple servitude: a child takes empty bowls, fills them with rice, and offers them to their parents. This performative ritual reiterates and brings to physical form the invisible connection between labor and love. And as the child cradles the bowl’s flawless porcelain surface, their imperfections etch their stories onto the impervious surface, momentarily imbuing it with their shortcomings. Sweat seeps and flows like rivers, painting a map of gullies, confirming the temporary connection between the giver and receiver.

Blue and white porcelain bowls are objects of my childhood memory. Adorned with mythical mountains and endless rivers, these bowls bear the images of fantastically perfect landscapes. Yours, and mine, too, are landscapes, spun not from pigments of fiction but from the links that bind us. They are the topography of our embraces.

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